| Hindustani Classical Music | |
|---|---|
| Concepts | |
| Shruti · Swara · Alankar · Raga | |
| Tala · Gharana · Thaat | |
| Instruments | |
| Indian musical instruments | |
| Genres | |
| Dhrupad · Dhamar · Khyal · Tarana | |
| Thumri · Dadra · Qawwali · Ghazal | |
| Thaats | |
| Bilaval · Khamaj · Kafi · Asavari · Bhairav | |
| Bhairavi · Todi · Purvi · Marwa · Kalyan |
Darbari Kanada, or simply Darbari, is a Hindustani raga in the Kanada family, which is thought to have originated in Carnatic music and brought into North Indian music by Miyan Tansen, the legendary 16th century composer in emperor Akbar's court. This tradition is reflected in the name itself; Darbar is the Persian derived word in Hindi meaning "court." As the most familiar raga in the Kanada family, it may sometimes also be called Shuddha Kanada or pure Kanada. It belongs to the Asavari thaat.[1]
Darbari is a grave raga, played deep into the night, considered to be one of the more difficult to master, and with the potential for profound emotional impact.[2]
The ascension of aroha is in the lower and middle octaves. In the arohi the note Ga (gandhar) komal is used in a weak manner and a slow vibrato (andolan) on this note. The association of the notes Ni and Pa sounds pleasing. Its Vadi swar is Re and Samavadi is Pa.
aroha: S R (R)g, (R)g
avroha: (M)g, (M)g M (S)R, S
For reference, the set of notes in the Asavari thaat is S R g M P d n, and for Darbari, the role of the komal gandhar is crucial.
Other ragas in the Kanada family include Abhogi Kanada, Nayaki Kanada, Shahana Kanada, Kaushi Kanada and Adana. (see Adana is part of the Kanada Raga group)